When I started approaching agents and publishers last year I was prepared for the inevitable rejection emails. Everything I’d read about this process suggested it could (and most likely would) be a long journey to publication, if I ever got there at all.
So why not self publish?
When I decided to be a teacher I didn’t just rock up to a classroom and get on with it. I spent a year training and completed a PGCE, had my lessons observed and commented on, learnt what I was good at and what I needed to work on. I had a tutor and a mentor and by the end of the year I knew I was going to be good at my job.
How do I achieve the same validation within the world of writing? To me the answer seemed simple, find an expert in the industry and get them to love my books. I am not against self publishing at all and I have read lots of SP books which I’ve loved. But for me, I needed the reassurance that a professional in the industry agrees that my writing is worthy of being put into a book.
I still do need that external input. So for now my picture books and chapter books remain firmly unpublished and waiting for that magic agent or spectacular rewrite when I come back to them again later. But poetry, it turns out, is a different sort of ballgame.
So many agents and publishers have NO POETRY on their submissions guidelines. Why? Kids love poems! But this is a business game after all and a little poetry book by an unknown poet is not necessarily going to equal big sales numbers. When it comes to poetry there seems to be a much bigger no entry sign than any other type of text.
Three things have happened in the last few months.
Firstly, a friend in the music industry told me that when people approach him with songs the first thing he wants to know is who is this person and how committed are they? Is it one song or do they have more? The bottom line – why should he take the risk? Finally, he asked me if I had considered self publishing my poetry to show I’m committed to my own writing?
No. No, I hadn’t.
The second thing that happened was that I contacted a published poet. Someone relatively new in the industry, someone whose poems I’d read and enjoyed, someone who was where I wanted to be – visiting schools with his published poetry books and sharing them with children.
Do you have an agent? How did you get published? Please tell me your secrets!
He explained that his journey started as a self published poet. Once he’d spent a few years doing the school circuits and selling his books he approached a publisher and said, hey – look at me! I’m great at this. And he could prove it. He was selling books and that was a language the publisher was willing to take a chance on.
The third thing that happened is that it was National Poetry Day and I felt really sad. I felt sad that for another year I was looking at my poems in a file on my computer and wishing rather than doing. The theme of NPD this year was choice.
OK, Universe. You have my attention.
Because we do have a choice. A choice authors in the past didn’t have and perhaps that choice is also a chance, a chance to prove that you’re passionate and committed and most importantly, excited to share your writing with an audience.
And on that note, I hope to have some very exciting news to share with you soon…